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"Improbable is one of the brilliant faces of British Theatre"
The Observer
Aida
Aida must choose between the man she loves and the homeland she longs for.
Betrayal is the only option.
28 Sep – 02 Dec 2017 at the London Coliseum.
Produced by ENO. A co-production with Houston Grand Opera.
A collaboration with Improbable.
Book tickets HERE
Aida is a timeless story of duty, love and betrayal amid the clash of war-torn Egypt. Four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, this is opera on a grand scale.
Following his recent Akhnaten for ENO, Improbable’s Olivier Award-winning artistic director Phelim McDermott stages this distinctive new production. Keri-Lynn Wilson conducts Verdi’s score which contrasts swaggering military marches with tender lyricism.
Sharing the title role are two sopranos – Latonia Moore and Morenike Fadayomi – both of whom are making their ENO debuts.
CREATIVE TEAM
Keri-Lynn Wilson
Conductor
Christian Baldini
Conductor (Nov 10 & 17)
Phelim McDermott
Director
Tom Pye
Set Designer
Kevin Pollard
Costume Designer
Bruno Poet
Lighting Designer
Basil Twist
Movement Director
Edmund Tracey
Translator
CAST
Latonia Moore/Morenike Fadayomi
Aida
Latonia Moore (Sep 28-Oct 27)/Morenike Fadayomi (Oct 31-Dec 2)
Gwyn Hughes Jones
Radamès
Michelle DeYoung/Dana Beth Miller
Amneris
Michelle DeYoung (Sep 28-Oct 27)/Dana Beth Miller (Oct 31-Dec 2)
Musa Ngqungwana
Amonasro
Brindley Sherratt
Ramfis
Matthew Best
The King of Egypt
Eleanor Dennis
High Priestess
David Webb
Messenger
Current Productions
Workshop with Lee Simpson: Improvisation for Stage and Page
In this five-day workshop, Co-Artistic Director Lee Simpson looks at how Improbable brings the philosophy and practice of improvisation to performance improv, devised theatre, plays, operas and social activism.
The Paper Man
What do we do when fascism comes to town? In a paper world of light and shadow, violence and dance, five performers work together on what sets them apart.
Akhnaten
Philip Glass's mesmerising opera about the life and religious convictions of the Egyptian pharaoh and forms the last of Philip Glass’s trilogy of ‘portrait’ operas
